9. The Distinction of Bloom (6.11.25)
- amyjohnson1211
- Jun 11
- 2 min read
The first stanza of Berry's 19. (2014 Sabbath Poems)

"Rising out of the crowd of lowly
foliage on the wood floor, a few
days in June, the white penstemon
risks the distinction of bloom.
At the top of the slender stem
the cluster of flowers appears,
not surprising for it is known
from other years, but as if suddenly
returned. Each tubular blossom,
pure white, five-lobed, opens
to reveal in its throat seven stripes
of most delicate purple, the middle stripe
the longest, with three shorter ones
symmetrically spaced on either side."
I cannot stop contemplating that line - "The white penstemon risks the distinction of bloom."
Blooming is a distinction. A distinction sets something apart - a difference that draws attention, admiration - what else? The distinction creates risk for the white penstemon. What are the risks for a flower? What are the risks to/of blooming things? What blooms other than flowers?
What truth is this revealing about the penstemon - but also, about the human condition?
About me?
The remainder of the poem:
"For this, flower and watcher have not
waited or prepared, but merely lived
and the time of bloom has come.
For whose delight? The watcher gives
his sole certainty: "For mine." And what
depends upon this small culmination?
An ecologist of sorts, the watcher
does not know, but by its beauty
he is taught to answer: "Everything."
This is the Sabbath, the place, the rest
from which we go to work. From here
the economies and politics of husbandry
are quietly attested in the heart."
For whose delight? The watcher.
And who is the watcher?
What depends upon this small culmination? Everything.
How do you know? Its beauty has taught the watcher
.
Poetry. Taut truth, as Ferlinghetti says.



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